
.:
San Francisco
Chronicle IV
.: San Francisco Chronicle I
.: San Francisco
Chronicle II
.: San
Francisco Chronicle III
.: SF Weekly
.: Essay by Harry Roche
.:
Essay by Bruce Nixon
.:
Review: San Francisco
Bay Guardian
.:
Artweek
.:
San Diego Union-Tribune
Faces
and Figures
by
Robert Pincus, The San Diego Union-Tribune
.:
Fresh Flesh
Scott White Contemporary Art
"Fresh Flesh," the title of a three-artist exhibition at
Scott White Contemporary Art,
has a dehumanizing ring to it, as if the show were about the body and nothing
else. This isn't actually the case, though the stated intention of the
title is to refer to the connective thread between these painters: All work
with the figure.
They do so quite differently. New Yorker Sebastian Blanck, who
displays the most interest in flesh, makes cool, formal compositions with
a restrained erotic quality. His favored subject is a woman bathing, a venerable
subject in art heavily popularized since the advent of the impressionists.
Blanck's style of painting also owes something to Alex Katz.
He has an eye for elegance, as in the lithe figure seen in profile in "Isca With Yellow Towel." Blanck works up a pleasing interplay between the female figure and a heavily dotted shower curtain in three other paintings. It's as if viewing her form through a screen that is alternately clear and brightly colored. The work is exceedingly tasteful, stylishly executed and in the end, barely eludes blandness.
Juan Carballo and David Tomb infuse their figures with greater
life. Carballo, who lives and works in Miami, looks quite earnest in his self
portrait. His face and form are heavy on brushwork, as are those of his other
subjects. He has a good eye for face and mood, a con-fident manner with paint.
"Paula Dreaming" is a gently atmospheric little picture. Lucien
Freud seems to be an overbearing influence in some pictures, whether intentionally
or sub-liminally, but as influences go that's a wise choice.
For Tomb, based in the Bay Area, clothes matter more than flesh.
That is, he loves a pattern: A bold plaid on the shirt in "Lee,"
or the wobbly lines in another shirt, in "Drift." Of course, he's
interested in the figure and face too. He achieves a rakish pose in "Peaches,"
whose subject has detailed tattoos that Tomb renders with flair. Noted Bay
Area painter Frank Lobdell looks dignified in his portrait, though a touch
wary. But you have to think the finished portrait pleased him.
.: The San Diego Union-Tribune, March 24, 2005
Frank
Lobdell
2002
49.25 x 29.25"
mixed media on paper
by David Tomb