
.:
San Francisco
Chronicle IV
.: San Francisco Chronicle I
.: San Francisco
Chronicle II
.: San
Francisco Chronicle III
.: SF Weekly
.: Essay by Harry Roche
.:
Essay by Bruce Nixon
.:
Review: San Francisco
Bay Guardian
.:
Artweek
.:
San Diego Union-Tribune
![]()
A Body of
Work Inextricably Linked to
the Artist's Persona - Self Analysis
by
Kenneth Baker, The San Francisco Chronicle
.:
San Francisco Chronicle
September 24, 2005
pp.E1,10, Ill.
"Whiskered Mencher" 2005
San Francisco, CA
Tomb
at Buncheon: Viewers will have no trouble accepting the portraits of Bay Area
painter David Tomb as drawings.
They hang unframed at Bucheon, some with collage elements that spill
over a page's rectangle, some with a second page attached to accomodate an
observation or finesse a formal tight spot. Tomb does the opposite of allowing
himself to "follow blindly" the images that form under his hand.
Each drawing plainly notates his view of a believably individual sitter. But
representation continually competes for Tomb's attention with his responses
to what he and his materials have done. The process registers as forcefully
as the subject, which may help explain Tomb's affinity for eccentric-looking
sitters.
Their cobbled-together quality gives Tomb's portraits a credibility lacking
in most contemporary hand-made images of people. They center likeness not
on appearance but on fabrication and the sense of every self as an unrepeatable
patchwork.
.: The San Francisco Chronicle, 2005